tarasnonsense replied to your photo: I made some of those cake balls/bake pops/cake on…
Sprinkle them! Sprinkles hide everrrrythinnnnnnnng.
I know! Sadly, I didn’t think about that when I was at the store.
I made some of those cake balls/bake pops/cake on a damn stick things for my niece.
I know they look…not that great…but they probably taste alright. I hope.
[video]
[video]
Seeking Fling - m4w - 28 (Branson, MO)
Premature ejaculator seeks young, attractive woman for fling. Must have large breasts, big lips, a nice backside and….OH GOD…nevermind.
Cross-stitching. Best uncle ever?
Also, definitely not bragging about this because I have no idea what I’m doing.
(Source: ghettohikes)
(Source: ghettohikes)
I’m petrified of the future. What happened to me happened so suddenly. I wasn’t aiming for it. I’m scared it’s gonna disappear, I’m scared I’m gonna make the wrong choices. I’m playing in an arena in which I have no experience whatsoever. I’m wary of just being the drunk girl. That’s a big fear. It’s interesting because there is something that is absolutely sacred about it to me, which is that its okay to be silly and free and have these moments. There are unexpected truths, unexpected epiphanies. but I was in meetings with TV people in l.A. and they were like, “We think you should do my drunk laundry machine and my drunk pool fame game31 and my drunk this and be the official drunk girl.” And I remember being like, “No, I’m not interested in that. I’m interested in comedy, I’m interested in truth, I’m interested in relaxation and people letting themselves go and letting their hair down a little because it’s a safe place to do it.”
-Hannah Hart, star and creator of “My Drunk Kitchen” on the precariousness of online fame.
Excerpted from The New Inquiry Magazine, No. 1: Precarity
“Hesperus Press has raided Woolf’s volumes of critical writing and rescued four lesser-known literary essays, grouping them under the title On Fiction. Each essay brims with insight and interpretation that is conveyed stylishly and authoritatively. Here is a writer expounding on the secrets of her craft. In one essay, “Women and Fiction”, she classifies criticism as one of the few “sophisticated arts”, something seldom practised by women, at least in 1929. She foresees more women tackling and mastering it, albeit in a “golden” future when they will no longer have to protest to be heard, being enfranchised, financially and socially independent and with “a room to themselves” – a reference to her most celebrated critical work, “A Room of One’s Own”, published one year earlier. The essays are bound by ideas that are perceptive and prophetic. She scrutinizes the worth of literature past and present but goes the extra mile to consider if it, and its practitioners, can improve and increase in value in the future.” —
Perceptive And Prophetic - The Rumpus.net
Hesperus Press publishes critical works by Virginia Woolf.